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Replies: 47 / Views: 6,566 |
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Pillar of the Community
2087 Posts |
Seems this year is definitely going to have some expensive new toys to tempt us. The rumours are getting more solid. Canon and Sony are believed to be announcing 50MP mirrorless cameras in three weeks time. The sony is an update of the Sony A7r with 5 axis in body image stabilisation plus the needed EFCS( so the rumour mongers say). Nikon is believed to be also producing a 50MP as well. As with the D810 it will be based around the Sony sensor. http://diglloyd.com/blog/2015/20150...apixles.html
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Pillar of the Community
United States
4132 Posts |
Unfortunately, more megapixels are not that interesting for coin photography since we're usually diffraction-limited.
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Moderator
 United States
23522 Posts |
Sony has a ridiculously good sensor in the RX100, 20MP in a 1" sensor which would equate to 63MP at APS-C or 148MP in FF. The technology is there, but useless to us until they succeed in making an Airy Disk smaller.
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Pillar of the Community
 United States
4038 Posts |
Since I end up downsizing by 4x with my 18MP APS-C camera (or 3x with my 10.2MP APS-C) to end up with a reasonable-size web-friendly image, I would likely see very little benefit getting the same image from a 72MP APS-C after downsizing 8x. I wish they'd concentrate on useful features, like working control software, EFCS/EFSC, etc instead of pushing for higher pixel density.
Please, just give me a FF camera, with or without mirror, with no AA filter, that has working control software and EFSC that integrates with stacking software. Please? Oh I forgot...and at least 10.2MP.
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Pillar of the Community
 2087 Posts |
Some clarification questions: I understand the preference for an EFCS but the insistence on tethering raises a question for me. I see it as a Nice to have but not overly important. My camera transfers photos via blue tooth,wifi or NFC to my computer as I take the shots. My copy stand is up stairs and my Pc down stairs I simply take the photos.. then wander down stairs to do the editing( the camera stays where it is! I can control the camera via my lap top or my smart phone. But I prefer using the cameras LCD screen WHY is tethering that important? I suspect (don't know) that tethering software includes what comes automatically with my camera and other top end mirrorless offerings. Focus magnification, Focus peaking and Zebra. Focus magnification in manual focus mode I can zoom into an area of the image and adjust the focus extremely finely, I can even move the magnified area around the coin to ensure every thing is uniformly sharp. Focus peaking: when on it will highlight on the camera screen and EVF which parts of the image are in focus( using contrast detection) Zebra: often used in video it gives feed back on exposure. You preset the zebra to a preferred exposure level. When setting up the shot diagonal strips are shown where the exposure level matches the setting. I find it really useful with bellows and extension rings as it takes the guess work/calculations out of exposure compensation. I should add it was really useful now having used it for a long time I instinctively know how much to adjust the Exposure compensation dial
Next question: I have already budgeted to get the new A7r( the rumoured 50MP beast) in May this year. MY main interest is the EFCs and for outdoors photography the 5 axis IBIS. With all the comments on diffraction limiting the actual resolution would I be better going for the Sony A7s ( a see in the dark Camera?) It has EFCS and is a full frame 12mp camera. The sensor pixels are larger than standard making for very low noise photographs. The big failing of the A7s,for me, is the anti aliasing filter
Edited by austrokiwi 01/28/2015 01:41 am
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Pillar of the Community
 United States
4038 Posts |
Tethering is important to simplify the workflow. Indeed wireless tethering would be perfectly fine if it works well and fast enough. How is the update speed to a full-screen Live View image on laptop or large desktop monitor over WiFi?
For outdoor, non-macro use you don't have to worry about diffraction limitations, even on a 50MP FF. The pixels will likely be same size as current offerings (around 4-4.5um) so diffraction limits are around f/7. No problem for landscapes, portraits, etc. Macro is another story.
I won't buy another camera with an AA filter, ever. I'd prefer not to pay for mirrors either, at least for a studio camera.
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Moderator
 United States
23522 Posts |
I don't know about you, but it's a bit easier for me to focus a shot on a 27", 2560x1440 monitor than a 3" camera lcd. Not to mention workflow speed. You could conceivably do 100 coins per hour on a tether rig. I'm not going back, that's for sure.  What sort of pixel pitch are we talking? I can't imagine being able to shoot a narrower aperture than f/5.6, and the sensor will expose the tiniest imperfections in the optics.
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Pillar of the Community
 2087 Posts |
Quote: What sort of pixel pitch are we talking? I can't imagine being able to shoot a narrower aperture than f/5.6, and the sensor will expose the tiniest imperfections in the optics. I expect we will only start to get the answer next week when Canon is supposed to make their announcement. Interestingly Tamron is bringing out a lens(Tamron 15-30mm f2.8 lens) that can cope with 50MP in the next couple of months( not coincidence) Some are saying sony will make their announcement later than canon and will likely announce their new lenses first. Sony is bringing out a FE 90mm F2.8 Macro G It was announced last year at photokina but only mock ups were shown there. It might well be the case that lens is also designed to cope with 50mp
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Pillar of the Community
 United States
4038 Posts |
It's easy to calculate what the pitch will be.
FF sensors are 1:5:1 aspect ratio (36 x 24 mm). So assuming square pixels, TotalMP = Xpixels * Ypixels = 1.5*Ypixels * Ypixels = 1.5Ypixels^2
So for a 50MP sensor... 50e6 = 1.5Ypixels^2, or Ypixels = 5774 and Xpixels = 8660. The sensor will actually be some nicely-divisible number, perhaps 8832 x 5888. This actually calculates to 52MP and divides nicely by 2's down to 69x46. It also has LOTS of 8's so will be a hit with folks who love them!
So now we know what the sensor size will be, 8832 x 5888, for 52MP. What is the pixel size?
36mm / 8832 = 4.08um. This is a bit smaller pitch than my 18MP APS-C at 4.3um, but not enough to worry about diffraction problems being any worse. The DLA, which is just the onset of when diffraction can start to degrade the image, will be f/6.4, so not much of a problem for current lenses.
Contact me for photographic equipment or visit my home page at: http://macrocoins.com
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Pillar of the Community
 2087 Posts |
Well canon has moved first and the rumours were slightly wrong. Its not mirrorless the new 5DS is a 50.6MP DSLR: http://www.canonwatch.com/cw5-image...50mp-sensor/Now it remains to be seen if the Sony Rumours are true. There has been some rumour that Canon and Sony have done a deal to produce 50MP sensors( trading patent use) but who knows if that is really true?
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Pillar of the Community
 United States
4038 Posts |
I really don't know why folks are making a big deal about 50MP FF. The technology is already in place and has been for years. Please explain what I am missing here.
Contact me for photographic equipment or visit my home page at: http://macrocoins.com
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Pillar of the Community
 2087 Posts |
Thereis something wrong with the website. This is my third attempt at a reply The technology( application of science) has not been around for years. The Science has been known for decades! The technology for 50MP ff sensors is very new!
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Moderator
 United States
23522 Posts |
Sony has a truly wonderful 1", 20MP sensor in the RX100 which would be 140 Megapixels in FF size. Only processing capability lags a 100MP+ dSLR; the sensor tech has existed for years.
Still useless to us until Airy Disks become smaller than 4 microns.
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Pillar of the Community
 United States
4038 Posts |
The technology for 50MP FF is several years old now. My T2i has it. Even processing capability is not much of a stretch as we're only talking about a small scaling from existing pixel counts.
We're finally getting to the point where we're talking about serious limitations of our optics vs the camera sensors! Of course the limitations are really just for us macro folks, not portrait or landscape folks, as you can get lenses of a wide range of focal lengths that will give you effective apertures of f3.3 or bigger for lower magnifications. So for non-macro use, pixel pitch of 2um can still be accommodated before the optics get in the way. So until we get to 200MP FF sensors the portrait and landscape folks will still be able to readily find lenses that can make full use of their sensors. A 200MP FF sensor won't do us macro folks much good, though. At 1:1, we're tapped out with our f2.8 macro lenses at 3.6um...67MP.
Edited by rmpsrpms 02/02/2015 11:55 pm
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Pillar of the Community
 2087 Posts |
I disagree strongly you are both confusing the ability to produce a high pixel density in a small area with the ability to apply the same density on a large sensor. Its not just the pixels but the design and placement of the micro lenses. Using your arguments We could say the technology for going to the moon had been available for years before the apollo program. In actual fact the science had been available for years the application of that science ( technology took along time to follow)
If you guys are right why haven't we had 50mp sensors for years already. You are right in that the limits of the bayer sensor are being reached but as you both know other sensor types are being researched and patented. There is even work on a curved sensor there is a a cell phone with a curved sensor, that technology only allows use on small sensors for now there still has to be considerable development before it can be scaled up to larger camera sensors
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Pillar of the Community
United States
4132 Posts |
There is also a trade-off between more megapixels and low light performance. The benefits of that extra resolution are marginal to non-existent; you get more noise and a larger file while the real resolution doesn't reach that of the sensor in many situations (diffraction is just one of many possible limiting factors.) If you're a pro photographer shooting sports or a rock concert or a wedding reception in natural light, which would you choose?
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Replies: 47 / Views: 6,566 |