Remington Revisited! 5 New Ones!I bought a duplicate of the
"Coming Through the Rye" medal today.
Here I posted about it on an earlier thread.
http://goccf.com/t/301479&whichpage=19#2635565
This is
My second one of these medals
Shannon J. Hatfield wrote:
This 1902 bronze was described by the artist as "four cowboys on running horses.men shooting pistols and shouting." In selecting the subject of his eighth bronze, Remington revisited an image he had twice earlier depicted in an illustration published in Century Magazine and several others around that time. The illustration vividly depicted recklessly spirited cowhands coming into town for a weekend of revel rousing and fun.
This was a fine example of a three dimensional study of western sculpture. Remington's technical virtuoso was truly demonstrated in this piece more than any to date, with only six of the sixteen hooves touching the ground.
This sculpture has remained one of the most popular and sought after pieces to date, both in the eyes of the public and private collectors alike.


Shannon J. Hatfield wrote:
"The Norther" is the fifth in Remington's bronzes it can be thought of as a cowboy on horse back in a frigid snow storm. There are very fierce winds blowing from the backside of the cowboy. The half frozen figure is not shown as a man that has overcome the fierceness of nature, but one rendered vulnerable by the drastic elements.
The Norther was in Remington's mind potentially unpopular to the public. He thought that not very many would want a sculpture of a lone soldier on his horse caught dead in the in their tracks in a chilly, snow wind. It was probably this that urged Remington to only have three original castings produced.
"The Cheyenne"
Shannon J. Hatfield wrote:
In 1901 Remington suffered a serious fall from his horse. This fall landed him on crutches, his leg in a splint and foot elevated for several weeks. In spite of the bad situation the artist had been presented with, he continued to diligently pursue his current project, The Cheyenne.
The Cheyenne was an accomplishment of complete fluidity and grace that far surpassed any of Remington's prior attempts to portray a horse in natural light. The Cheyenne was inspired after a photo that a high speed photographer captured. The photo was that of a sequence of galloping horses. This left no doubt in Remington's mind that the horses were indeed airborne in the sequence of each stride. Remington sought to accurately portray as much as possible the natural fluidity of which he knew well as an observer and rider.
This bronze was the first of Remington's works to be entirely cast in one piece. He designed it so that the sculpture would be suspended in mid air, completely supported by the trailing buffalo hide robe.
"Bronco Buster"
The rugged Western frontier character portrayed in Remington's 1895 sculpture, won the hearts of the American people for both the subject matter and its dynamic composition.
The Broncho Buster was the first, and most popular of Frederic Remington's sculpture designs and remains so to date.
The Broncho Buster is also one of the most widely recognized of Remington's sculpture portrayals; this is partly due to the publicity surrounding President Theodore Roosevelt and the "Rough Riders" to whom Remington presented it as a gift. This casting now resides in the White House oval office as a center piece and permanent element of the collection.
"The Outlaw"
Shannon J. Hatfield wrote:
The Outlaw is one of Remington's later pieces. This 1906 piece, The Outlaw was known as the real companion to The Broncho Buster. It is the teeter to The Broncho Buster's totter, what comes up in one comes down in the other. Giant jolts of endless energy were what this cowboy was feeling as the horse would rear up putting full force on all fronts.
The Outlaw's rider seems to bestow a great amount of fluidity and control. However, this cowboy is not going to win any points by resting his hand on the side of his horse. Yet, on a safer side he stands a chance of not getting his coccyx dislocated. This cowboy was a first class bronco-buster or flash rider. These riders would receive high wages, wages that were well deserved, because this was one of the most dangerous jobs there were and no man could ever hope to grow old.
The idea for this casting was taken from that of an old sketch that Remington had done years before called the "Sun Fisher." In this sketch the rigorous life of a flash rider was shown. This cowboy was trying to beat the odds to stay on the bronc.

This grab bag of 5 is added to my
"The Mountain Man" which is shown here.
http://goccf.com/t/301479&whichpage=19#2634395 This makes 6 different and one duplicate medal from this set. I think there were 10 in the set, and I could have picked up 3 more different ones today but I passed up on a few others. These were the nicest of the bunch and I didn't have to be a hog about it.
