| Author |
Replies: 9 / Views: 1,562 |
|
|
New Member
United States
10 Posts |
Here are a couple of test images I struck before these were incorporated into Medals/Coins. I have images of the coins, but they have lettering of Business Names on them. Thanks for looking, Gary 
|
|
|
|
Pillar of the Community
United States
1602 Posts |
 to the CCF. So, I take it your handle is also your occupation? You're an engraver, die maker? That's a rather involved, technical trade, to say the least! How did you get into it and will you show us some more?
|
|
Valued Member
United States
403 Posts |
These appear to be scenes from Jason and the Argonauts, one of my favorite movies. Nice! It must be very satisfying as an artist to be able to depict an inspired and complex subject onto a medium as permanent as a medal. This forum has many examples of medals from around the world - some come from the national mints but many do not. Some medals are rather artistic but again many are less so. I'm happy to meet someone who has some artistic and technical knowledge in the generation of such items. Welcome to the CCF!
|
|
New Member
 United States
10 Posts |
Thank you for the welcome. I appreciate it.
I began by studying, and engraving. I had a natural ability to draw in perspective. My first experience with die making came through learning to acid etch steel. I wanted to learn this, to use with my work as a custom knife maker. In 1980, I had accumulated enough parts of the equation, to feel confident that I could produce "Damascus Steel". While traditional smiths working then, were using power hammers (huge mechanical hammers which worked hot steel between top and bottom dies), I felt strongly that I could weld and stretch tha hot steel with a rolling mill. I built one, which I still use today. I later built my own power hammer (as that is actually faster then the rolling mill).
And so; I found myself with the ability to acid etch, and with a rolling mill. I can't honestly remember the spark that made me etch a plate, and run brass atop the die, through the mill. However; it worked beautifully! I was amazed. At 25, I was pretty sure I'd invented "sliced bread". As I continued to research and read, I learned that some creep in Belgium (about a hundred years before) was using "Roller Engraving" to ornament shotguns. Haha. As I continued to read, late into each night; I decided to build a hydraulic press. And then a larger one. I build folding dies. Raising dies. Shearing dies. Then dies that would raise a form and shear shaped Windows in it. I used these in my custom knife work. Becoming fascinated with raised Silver work such as seen in fine tea sets, I learned to produce fine Repousse work (where thin metal is driven from the reverse side, into high relief). I have at least a hundred dies for the purpose of creating Repousse shields, panels, and parts for Lockets, Pocket Cases, and all manner of jewelry. Several of our children, in our combined family, went into military service. I came to know Challenge Coins. Just recently, I decided to make some of my own. It's been very enjoyable. I would be happy to show more work. I'll try hard to not appear to be soliciting. I have 42 years of objects sent worldwide. There are a few here as well Thanks very much for your interest. Gary
|
|
New Member
 United States
10 Posts |
I'm learning the format of your forum program. I'm not certain if it's possible to specifically answer one member if there have been several comment, and it's not specifically the last comment that you wish to respond to. I did want to answer NoPoMoCo. It is quite enjoyable to see the first Pressing of a new die. Of course, everything is a negative image on a die. The most prominent feature is cut to the greatest depth on a die. Doing realism is a real challenge. With things which everyone agrees upon, such as a beautiful feminine face or form; there is no margin for error. The smallest error in cutting depth, would change a beautiful woman into a rhinoceros. Ha. I just did a Mermaid that I'll have to share. Now, she is looking out to sea in this setting, but the feminine torso, arms, hair, and lower back, had to be just right. Actually ..... I do have a pic .....  Thanks again for the Welcome Gary
Edited by Coinmaker 04/28/2016 11:15 am
|
|
Pillar of the Community
United States
1602 Posts |
That's gorgeous. I'm assuming the mermaid and her little habitat is some form of silver; the rest as well?
I'd love to see some of you coin/token work. I'll be away for the rest of today but will try to pick up this thread tomorrow.
|
|
New Member
 United States
10 Posts |
Hello, thank you. I'm very glad you like it.
I work in Sterling, Coin Silver, as well as Clad 10k, Nickel Silver, Copper, Brass, and alloys of Aluminum. For very non oxidizing, flesh contact, light weight pendants (what we call "Beach Jewelry"), I use an alloy of Alluminum. For detail display, the frosted (as minted) surface of Aluminum shows detail without conflicting reflections. The pic of the three items in frame, is of Aluminum objects.
The dies will tolerate quite a bit. I've even Coined Titanium.
Thanks for asking. Thanks for reading, Gary
|
|
New Member
 United States
10 Posts |
About 25 years ago, I was approached to do a version of an iconic dancing skeleton, drawn by a monk ... The design is known as "Zen Bones". I have used the stamping on numerous objects. It always gets a smile.  Thanks for reading, Gary
|
|
Pillar of the Community
United States
807 Posts |
Lovely work. You say you've struck pieces in titanium? I'd be interested to know more about how you did that. It would be very difficult to anneal, since it catches fire under air or nitrogen at elevated temperatures.
What kind of steel do you use?
|
|
New Member
 United States
10 Posts |
Grade 1 Titanium is a Jewelry Grade, and is purchased in an annealed condition.
For Die Steels I've used O-1, 5160, and W-1. Those are the more frequent allows I use.
Thanks for asking. Roller Engraving works best for Titanium.
Gary
|
| |
Replies: 9 / Views: 1,562 |
|