Is Light Needed To Add Toning?

of course. Never thought about the canvas bags....Thanks

hmm, maybe light will speed up the process though. I bet UV-light can mess with the chemistry involved. Any UV-light-Wayte experts on the forum?

actually, I am, but I'm specialized in drinking water, not metals and sulphuric gases...bummer

Temperature (heat), humidity and lack of handling are the three +++ for toning. Canvas bags, envelopes & sulfur folders are the best methods for the toning to occur in

I heard that works ^

Coins can tone in paper rolls, not just bags, if left long enough. I found several old rolls of silver halves the other day: some had serious toning, one even had verdigris. The paper rolls themselves were old and frayed. A while back, I found a '64 Kennedy with fabric toning. It has the most amazing pattern; you can even see the woven threads!

Light can play a part in the formation of toning on silver coins. Many silver compounds darken on exposure to light. I believe a fingerprint, for example, will darken much quicker in bright light than in a darkened room. However, the "rainbow coloured" toning that coin collectors find fashionable these days is caused by a thin film effect, which will occur no matter what colour the compounds are.

If tarnish prevention is your goal, then protecting a coin from the atmosphere is far more critical than protecting a coin from light. I look at my mother's silver spoon collection, which has been hanging on the wall for several decades now: the ones in bright light don't look any worse than the ones in deep shade, but the ones in the airtight cabinet are still pristine while the ones in open air are ugly and tarnished.


It's a tricky question that has long been debated in coin collecting circles.

Personally, I'd restrict using the term "artificial toning" to forms of toning that use chemicals a coin is not likely to encounter in day to day use and circulation - clorox bleach, for example, is "artificial", since chlorine gas is not something most people have everyday experience with or expose their coins to, and the resultant "toning" is physically and chemically distinct from normal silver toning.

One could perhaps use terms such as "intentional toning", but it can sometimes be very difficult to determine the "intent" of a coin's previous owners, just by looking at the coin. Just about any kind of toning can be made to look like an accident.

It might be most accurate to talk of "accelerated toning". That's where people deliberately expose coins to an adverse environment, particularly one rich in sulfur: things like match heads, crushed garlic, eggs or simply leaving it on a sunny kitchen window. There is usually no chemical difference between the toning on such "accelerated" coins and "natural" toning, but the more aggressive methods can leave additional residues on the coin that can be detected. Suffice to say that a coin that still smells like garlic, rotten eggs or brimstone has probably been artificially toned.