Hoei Tsuho - 10 mon
1708

As mentioned previously, by the turn of the 18th century Japan's copper mines were struggling to keep up with demand. China had at various times attempted to introduce multiple denominations into the cash economy, to various levels of failure. Hoping to conserve copper with a coin that would be more accepted by the Japanese public, in the 5th year of Hoei, the Shogun Tsunayoshi commissioned these large (37.5mm!) cash coins, containing 3 mon of copper for 10 mon face value. The public rejected them outright, and after spending the rest of the year attempting to force their acceptance, the order was given to withdraw them from circulation at the beginning of 1709. (The motion for withdrawal was facilitated by the death of their primary proponent, Shogun Tsunayoshi, who was murdered by his wife when caught in an affair with another man in early 1709!)
Kanei Tsuho - 4 mon
The withdrawal of the 10 mon coins from circulation certainly did not fix the critical shortage of copper, so 60 years later the Shogunate revisited the concept and aimed a bit lower, introducing a 4 mon coin only very slightly larger than the 1 mon. The coins took immediately and would eventually become more common than the 1 mon coins.
21 waves - 1768

The first iteration seems to have been a single-year type, and featured 21 waves in a pattern on the reverse. These have no readily apparent significance and were probably aesthetic, but I like to entertain the theory that these waves hearken back to the historical Kamikaze or "Divine Wind" (probably cyclones or tsunamis) which in 1274 and again in 1281 crippled two massive Mongol invasion fleets and spared Japan from the Khanate's territory grab.
11 waves - 1769 - 1867

For whatever unknown reason, after the first year of 4 mon production, the reverse was modified to include only 11 waves. Unlike the robust varieties of 1 mon, the 4 mon coin was remarkably stable, displaying only a handful of calligraphy variants early in the series. Even with a far greater face value than their metallic content, they became debased over time. An XRF scan is the most telling (because we all have one, right?) but a quick visual guide is helpful:
Yellowish - Good quality brass; 1760s/70s
Deep reddish - Reasonably pure copper; 1820s
Dark/blackish - High lead content; 1850s
In the 1860s during the chaotic collapse of the Tokugawa currency system, both the Imperial government and local warlords issued Kanei Tsuho 4 mon coins in iron; these often bear mint marks, and are mostly quite scarce.
Tempo Tsuho - 100 mon
1835 - 1870
Large interior hole

Small interior hole

By the early 1800s, the copper shortage was becoming critical. Entirely bypassing any conservative denominations between 4 and 99, the Shogunate introduced massive oval Tenpo Tsuho coins, carrying a value of 100 mon. For whatever reason, these were readily accepted by the public. Production ran for 35 years, with mintages totaling well into the hundreds of millions. Hartill notes that there are well over 100 minor varieties, but only one is actually rare (having a very long left leg of Ho on the obverse that touches the rim). Both contemporary counterfeits and numismatic forgeries abound; genuine coins have very smooth fields, and carry two validation marks on the rim of the coin at 9:00 and 3:00. Contemporary fakes usually have very coarse fields, while modern Chinese forgeries almost always lack validation marks. Even when a photo of the validation marks is not provided, it is important to look for the metal distress that is normally visible on the rim of the coin, usually as a lighter spot.
Closeup of the rim markings:

(Fun tidbit - In the 1950s, a Japanese snack company used these coins as box prizes. Supply ran out quicker than expected, so they made a number of fake coins to see out their obligation per the promotion. These coins, distinct from modern Chinese phonies, are actually worth more than genuine pieces, much like Henning nickels.)
Bunkyu Eiho - 4 mon
1863 - 1870
The final new design issued by the waning Tokugawa shogunate, these 4 mon coins followed the pattern of the Kanei Tsuho 11 wave coins, but carried a new inscription meaning "Bunkyu (era) Eternal Treasure." These were made of a dark, high-lead alloy, but are usually well-made and often lightly circulated with visible filing marks. There are 4 varieties, none of which are scarcer than the others:
- Formal script, thick strokes - "Bun" at the top of the coin has a single, horizontal top stroke and appears to be standing upright.

- Formal script, thin strokes - As above, but the lettering is somewhat thinner and more delicate.

- Jumping script - "Bun" appears to be slanted somewhat and the top is comprised of two, angled strokes.

- Jade Ho - As above, but "Ho" at the left side of the coin is of a very simple style.




































