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A Cast Copy Of The 1794 Franklin Press Token

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daltonista's Avatar
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 Posted 10/31/2025  6:57 pm Show Profile   Bookmark this topic Add daltonista to your friends list Get a Link to this Message Number of Subscribers

Back around 1986 or so, when I was collecting Conder tokens, I plucked this fake Middlesex D&H 307a out of a dealer's "junk box" at the huge Thanksgiving-weekend Westchester (NY) show, thinking it had some appeal as a curiosity. It cost only $3, after all.

Having long since moved on to other areas of collecting, I'm wondering now if enough of these have been seen that they're recognized as "contemporary counterfeits" attributable to anyone in particular, or does it remain just a cheap reproduction?

Thoughts? Thanks!

A-Cast-Copy-Of-The-1794-Franklin-Press-Token



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jbuck's Avatar
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 Posted 11/03/2025  11:06 am  Show Profile   Bookmark this reply Add jbuck to your friends list Get a Link to this Reply
Not sure about the history, but it is a nice example for the black cabinet!
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colonialjohn's Avatar
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 Posted 11/07/2025  10:32 pm  Show Profile   Bookmark this reply Add colonialjohn to your friends list Get a Link to this Reply
Cast Franklin Press tokens emerged in the late 18th century as a direct response to Britain's chronic shortage of small coinage. Merchants and tradesmen issued struck copper tokens to meet everyday needs, but counterfeiters quickly realized they could profit by producing imitations. Casting was a cheaper, simpler process than striking, requiring only a mold taken from a genuine piece and molten copper alloy. The result was a token that looked convincing enough to pass in circulation, even if the details were softer and the surfaces riddled with pinholes from trapped gases.

These counterfeits circulated widely because communities were desperate for usable change. Even flawed pieces were accepted in local economies, as the alternative was no coinage at all. The Franklin Press design, with its motto linking learning and liberty, carried cultural weight and recognition, making it an ideal candidate for imitation. In this way, counterfeiters tapped into both the symbolic appeal and the practical utility of the token, ensuring their cast versions blended into daily commerce despite their imperfections.

Today, cast Franklin Press tokens are valued not for their monetary worth but for the story they tell about economic necessity and ingenuity. Their porosity, seam lines, and softened lettering are diagnostic features that distinguish them from struck originals, but these flaws are precisely what make them historically significant. They remind us that counterfeit tokens were not simply "fakes" in the modern sense, but artifacts of survival—evidence of how ordinary people adapted to scarcity and kept trade moving in a time of monetary crisis. John Lorenzo.
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daltonista's Avatar
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 Posted 11/08/2025  12:20 pm  Show Profile   Bookmark this reply Add daltonista to your friends list Get a Link to this Reply

Thank you, jbuck & colonialjohn, and John, your deep dive here is much appreciated.

I very much enjoyed your "Forgotten Coins" book -- never would have thought to include this piece among them.


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westcoin's Avatar
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 Posted 11/13/2025  5:55 pm  Show Profile   Bookmark this reply Add westcoin to your friends list Get a Link to this Reply
Interesting copy, I wonder who made it? Becker was much later I assume, and did primarily electrotypes.
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