Excited yes - incorrect NO.
I am drawing conclusions based on the way I see and understand the market just as you do. You are an expert in the MTT just as I am with regard to counterfeit 8Rs. I have been collecting counterfeit 8Rs since 1960 and over that period of time I have assembled a collection of about 600 Portrait (500 varieties about 10 new varieties per year average) and 3000 Cap and Ray counterfeits. I have no counts on types yet.
Regarding rarity versus market I completely agree that rarity is no guarantee of market value.
My belief is that the market for any item is driven by publication of knowledge (advertising). Unless and until collectors know about a type of coin it has no market at all which is what I would presume about any coin with a mintage of 5 or even a few hundred.
But I have numerous examples of historic counterfeits that became interesting after a champion arose.
How did the market for the 1804 Dollar (15 coins) develop? How did the market for the 1913 V nickel (5 coins) develop? Advertising.
People are interested if they know about a commodity. If rarity is kept a secret and no one knows - no one collects. I am trying to correct that omission.
So I believe that my statement is correct when I say that counterfeit 8Rs are selling for much less than what they should bring (in a perfect world). My belief is that when folks know there will be natural interest and prices will increase. This has already happened with several types - Machin's Mills, British Evasion and counterfeit half pence, Bectler Gold, Davignon Bust Halves and Kleeberg 2Rs. I believe that 8Rs should be seen as part of the same group and all else being equal they should go the same way.
You say
That depends on your definition of routinely. Over my 5 decades of experience I have found that at a really good show I might find one new counterfeit variety. Most shows I find a couple duplicates. That is my routine. Prices were low because there were few of us looking. Prices are now up. I have 8 dealers now actively hunting for examples for me. They sent in 23 Portrait examples in the past year but only three were actual new varieties. That is routine. When I started collecting in 1960 I once paid $3 for a counterfeit. Many or most were free. I never saw $50 before about 1990 except in the bigger richer auctions and there it was in relation to other more well known counterfeits.
I said I have not recorded over 100 of any individual portrait counterfeit. In reply you say:
Of course it is my record, however, I based my opinion on data I have shared with other counterfeit collectors as well. The statement regarding a 100 count estimate was first made in a conversation I had with Dave O'Harrow in 2000. It was his number not mine originally. He started collecting counterfeits decades before me. My actual number of recorded varieties was inflated from 22 to 100 to allow just such a safety factor as you propose.
I think you are incorrect about the number of survivors however. This is because of the simple fact that most successful counterfeits contained an amount of silver that was worth recovering. Average figures in Riddell indicate about 40% of the correct amount of silver was present. So it is my belief (supported by other counterfeit collectors) that a 30 cent recovery on the dollar was attractive when compared to the alternative of no recovery. Most of these coins were melted to recover the silver they contained.
The only varieties that exist in anything like large numbers are the Birmingham issues particularly the ones with the BOE stamps and the base metal copies with a wash of silver.
Regarding my statement that "many unique" you again say
Not by me alone but by every collector of counterfeit 8Rs I know. The general experience is that few examples except the Birmingham issues appear in numbers above a handful and many are one time finds. This is true in relation to many Cap and Ray coins shown in Riddell as well.
Regarding the Sixbid example you presume I missed - I can only say that not only did I not miss that coin but that it is the second most common variety I am aware of and one I believe will hit 100 recorded examples within the next few years. It is a silver wash type - one of the kind most likely to miss the melting pot.
Your statement that some dealers and collectors refuse to go near these "things" is unfortunately true but it used to apply equally well to the types of counterfeits I listed above. The dismissive use of these "things" is objectionable to myself and I presume to all other serious collectors of colonial era counterfeits. These counterfeits are every bit as important as any of the others listed. They are of the same age, rarity and spring from the same historical background.
The popularity of Bank of England Emergency issues (even their counterfeits) is based on a long period of positive advertising by many people in the business. That case illustrates my point that discussion leads to knowledge and knowledge leads to collector interest and interest leads to increased prices.
Finally if advertising didn't pay who would be paying a premium for an MS 66 coin over an MS 63? The misuse of the Sheldon Scale is a hoax of extraordinary proportions perpetrated on an essentially gullible audience based on grades that only "experts" see and never agree on. There are other examples as well - the proliferation of low mintage proof collector coins is another hoax. Hyped when first sold these artificial rarities sell at melt in a few years.
The number of counterfeit coins ever made is a fixed number that will not increase.
I am drawing conclusions based on the way I see and understand the market just as you do. You are an expert in the MTT just as I am with regard to counterfeit 8Rs. I have been collecting counterfeit 8Rs since 1960 and over that period of time I have assembled a collection of about 600 Portrait (500 varieties about 10 new varieties per year average) and 3000 Cap and Ray counterfeits. I have no counts on types yet.
Regarding rarity versus market I completely agree that rarity is no guarantee of market value.
My belief is that the market for any item is driven by publication of knowledge (advertising). Unless and until collectors know about a type of coin it has no market at all which is what I would presume about any coin with a mintage of 5 or even a few hundred.
But I have numerous examples of historic counterfeits that became interesting after a champion arose.
How did the market for the 1804 Dollar (15 coins) develop? How did the market for the 1913 V nickel (5 coins) develop? Advertising.
People are interested if they know about a commodity. If rarity is kept a secret and no one knows - no one collects. I am trying to correct that omission.
So I believe that my statement is correct when I say that counterfeit 8Rs are selling for much less than what they should bring (in a perfect world). My belief is that when folks know there will be natural interest and prices will increase. This has already happened with several types - Machin's Mills, British Evasion and counterfeit half pence, Bectler Gold, Davignon Bust Halves and Kleeberg 2Rs. I believe that 8Rs should be seen as part of the same group and all else being equal they should go the same way.
You say
Quote:
If your saw them routinely then how can they be as rare as you claim?
If your saw them routinely then how can they be as rare as you claim?
That depends on your definition of routinely. Over my 5 decades of experience I have found that at a really good show I might find one new counterfeit variety. Most shows I find a couple duplicates. That is my routine. Prices were low because there were few of us looking. Prices are now up. I have 8 dealers now actively hunting for examples for me. They sent in 23 Portrait examples in the past year but only three were actual new varieties. That is routine. When I started collecting in 1960 I once paid $3 for a counterfeit. Many or most were free. I never saw $50 before about 1990 except in the bigger richer auctions and there it was in relation to other more well known counterfeits.
I said I have not recorded over 100 of any individual portrait counterfeit. In reply you say:
Quote:
Recorded by you I assume. How many examples have you missed seeing( its a question I always ask my self when it comes to my "feel" for rarity for my collecting interest)?
Recorded by you I assume. How many examples have you missed seeing( its a question I always ask my self when it comes to my "feel" for rarity for my collecting interest)?
Of course it is my record, however, I based my opinion on data I have shared with other counterfeit collectors as well. The statement regarding a 100 count estimate was first made in a conversation I had with Dave O'Harrow in 2000. It was his number not mine originally. He started collecting counterfeits decades before me. My actual number of recorded varieties was inflated from 22 to 100 to allow just such a safety factor as you propose.
I think you are incorrect about the number of survivors however. This is because of the simple fact that most successful counterfeits contained an amount of silver that was worth recovering. Average figures in Riddell indicate about 40% of the correct amount of silver was present. So it is my belief (supported by other counterfeit collectors) that a 30 cent recovery on the dollar was attractive when compared to the alternative of no recovery. Most of these coins were melted to recover the silver they contained.
The only varieties that exist in anything like large numbers are the Birmingham issues particularly the ones with the BOE stamps and the base metal copies with a wash of silver.
Regarding my statement that "many unique" you again say
Quote:
I assume by you
I assume by you
Not by me alone but by every collector of counterfeit 8Rs I know. The general experience is that few examples except the Birmingham issues appear in numbers above a handful and many are one time finds. This is true in relation to many Cap and Ray coins shown in Riddell as well.
Regarding the Sixbid example you presume I missed - I can only say that not only did I not miss that coin but that it is the second most common variety I am aware of and one I believe will hit 100 recorded examples within the next few years. It is a silver wash type - one of the kind most likely to miss the melting pot.
Your statement that some dealers and collectors refuse to go near these "things" is unfortunately true but it used to apply equally well to the types of counterfeits I listed above. The dismissive use of these "things" is objectionable to myself and I presume to all other serious collectors of colonial era counterfeits. These counterfeits are every bit as important as any of the others listed. They are of the same age, rarity and spring from the same historical background.
The popularity of Bank of England Emergency issues (even their counterfeits) is based on a long period of positive advertising by many people in the business. That case illustrates my point that discussion leads to knowledge and knowledge leads to collector interest and interest leads to increased prices.
Finally if advertising didn't pay who would be paying a premium for an MS 66 coin over an MS 63? The misuse of the Sheldon Scale is a hoax of extraordinary proportions perpetrated on an essentially gullible audience based on grades that only "experts" see and never agree on. There are other examples as well - the proliferation of low mintage proof collector coins is another hoax. Hyped when first sold these artificial rarities sell at melt in a few years.
The number of counterfeit coins ever made is a fixed number that will not increase.




















