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Coin Photo Setup

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 Posted 05/14/2011  11:12 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
Since enlarging lenses rely on a bellows for focusing, you can't mount the lens directly to the body. You need to mount it with appropriate adapters and extensions, and indeed with this arrangement you would then get your aperture control back. I made a quick measurement of the bellows extensions needed for the 75mm lens:
- Dollar full field: 54mm
- Cent full field: 85mm

These are approx measurements from the camera mount plane to the lens seating plane. This will be the total length of any extensions and adapters you use between camera and lens.

You will need to convert from Canon to M39, the native mount for most enlarging lenses. To do this, even though it may sound odd, I'd recommend using M42 adapters. Anything going from Canon to M39 is going to be more expensive than doing a M39 to M42, then a M42 to Canon. The M39 to M42 can be done with a "helicoil-like" adapter that is very cheap on ebay, <$3. The M42 extensions are also cheap and easy. A 3-section extension will cost perhaps $10. And the M42 to Canon adapter is also cheap, less than $10. I'd recommend getting perhaps 3 sets of the M42 extensions to give yourself plenty of adjustability. Another advantage of using M42 extensions is later you can buy an M42 bellows and use it in place of the extensions, or in addition to them.

So in the end, you will probably spend $30 on the lens, and perhaps $40 on adapters and extensions.

Another option on the lens is to look for a Nikon 75mm f/4 enlarging lens on ebay. I've seen them go for $50 or less. Quality will be better than the Vivitar, though not enough better that you couldn't start with the Vivitar and trade up later, using exactly the same adapters/bellows, etc.

A final note of caution: very likely any lens you buy on ebay will have lots of internal haze. But all the Vivitar, Spiratone, and most Nikon lenses are very easy to service once you learn how to do it. If you end up with a hazy Vivitar or Nikon 75mm lens, I can give you instructions on how to clean it.
Contact me for photographic equipment or visit my home page at:
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Edited by rmpsrpms
05/14/2011 11:28 pm
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 Posted 05/15/2011  1:35 pm  Show Profile   Bookmark this reply Add Sidekick-CA to your friends list Get a Link to this Reply
Thanks Ray for putting all that together for me. I really appreciate your time. I've read over your last couple of posts numerous times and my biggest problem is the terminology. A lot of it to me as a novice is more Greek than English. But I'm "werkin" on it with Wikipedia's help.

As I understand it so far, I need the Canon to M42 mount (adapter) as shown here http://cgi.ebay.com/M42-Lens-Canon-...em19c3ef86f6 ? I have a Canon EOS REBEL XT.

Next you mention 3 ring M42 extensions. These can be bypassed if I should opt for the bellows only? You mentioned the Asahi Pentax single-rail bellows http://cgi.ebay.com/ASAHI-PENTAX-BE...em1e63a42f93 Would this set-up (minus the extension rings) return my aperture controls? For versatility I'm thinking the bellows set up would offer quite a bit more focus control than the extensions?

The Nikon 75mm f/4 enlarging lens sounds good to me since you believe it's the better lens and it still has a very reasonable price.
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 Posted 05/15/2011  1:41 pm  Show Profile   Bookmark this reply Add SsuperDdave to your friends list Get a Link to this Reply
Aperture is controlled at the lens, not the camera. The minute you electrically disconnect a Canon EF/compatible lens from the camera, or the minute you connect any other lens, you surrender camera-based aperture control. That's all. The only way to get that aperture control back is to connect a lens which offers a manual aperture ring on the lens itself.
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 Posted 05/15/2011  1:45 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
All sounds good! That type of adapter is what I was thinking of in last post. And you are correct, the bellows will replace the extensions and give you much more focusing versatility. You will still need an adapter for M39-M42. I was thinking of these:

http://cgi.ebay.com/Leica-M39-Lens-...em41577b9b59

Here's an example of the Nikon lens, already sold, but this is what I am talking about:

http://cgi.ebay.com/Nikon-El-Nikkor...em3f09a7d77d
Contact me for photographic equipment or visit my home page at:
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 Posted 05/15/2011  2:31 pm  Show Profile   Bookmark this reply Add SsuperDdave to your friends list Get a Link to this Reply
I've been thinking about doing the M42 thing myself. I have an original Asashi Pentax SL which uses M42, and there is some surprisingly good M42 glass available for relatively cheap prices. SMC Takumars are just silly good for the money, and there's a 50mm Macro-Takumar capable of 1:1....it'll only do f/4, but it's stupid sharp at f/8 where I'd be using it on the Canon.
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 Posted 05/15/2011  2:51 pm  Show Profile   Bookmark this reply Add Sidekick-CA to your friends list Get a Link to this Reply
Thanks guys for all the info. From what I have been able to gather, that Nikon El Nikkor has a manual aperture ring so that might take care of the loss of control?
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 Posted 05/15/2011  4:18 pm  Show Profile   Bookmark this reply Add SsuperDdave to your friends list Get a Link to this Reply

Quote:
From what I have been able to gather, that Nikon El Nikkor has a manual aperture ring so that might take care of the loss of control?


They look to have aperture rings, so absolutely yes. Keep in mind, aperture is a relatively minor adjustment in that what you want is to find the setting (or range) where your particular lens is happiest, and then leave it there and play with exposure until you get your happy picture.

Knowing the average (very high) quality of Nikon lenses, I can't imagine you regretting such a purchase, especially at 1/10 the price of a dedicated Canon macro lens.
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 Posted 05/15/2011  5:12 pm  Show Profile   Bookmark this reply Add Sidekick-CA to your friends list Get a Link to this Reply
SD, hope it all works out after I finish putting together this camera "erector set". Just kidding.

No I certainly can't complain about the price. I was concerned about getting the f/stops back though as Ray had mentioned he thought part of the reason I was losing definition on the peripheries was my aperture which read f/0 in the meta but I'm sure that's because there was no electrical connection to the camera. No idea what it was in actuality. The other part being the lens not being designed for "flat field work". No idea what that means but I seem to need it. I noticed you said you'd be working at f/8 with your canon and that Takumar.
http://cgi.ebay.com/ws/eBayISAPI.dl...d9PYZ8A%253D Looks like a real honey and great price. I'm putting it down as my next project but first I'm really interested in seeing what I can do with the bellows angle.
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 Posted 05/15/2011  5:52 pm  Show Profile   Bookmark this reply Add SsuperDdave to your friends list Get a Link to this Reply
Two of the main potential lens distortions are: 1) barrel distortion/pincushioning - optical distortion of the physical dimensions of the shot by the lens, where barrel distortion looks like an "inflated" shot where the centers seem "wider" than the corners and pincushion distortion, where the opposite happens, the centers seeming "pinched" and narrower than the corners. The former tends to be seen with wider lens angles; the latter with the tele and of zoom lenses; and 2) vignetting, which is brightness/color distortion starting from the outside corners of the image. This is usually found as darker corners, with less saturation, than the center of the image.

It's darn difficult to design a lens, especially a zoom, which alleviates all these problems throughout its' range of abilities. So manufacturers tend to compromise between results and cost. That's why a nice, fast prime lens tends to be sharper when the aperture is less than wide-open, and why zoom lenses tend to be at their best away from either end of the zoom.

A lens whose construction minimizes this, especially barrel/pincushion, and use is normally associated with macro work, is called "flat-field optimized."
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 Posted 05/15/2011  6:51 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
Most "taking" lenses, ie those designed to be mounted to a camera for taking pictures, are not flat-field optimized. Not many subjects of real-world photographers are flat, so other aspects of lens performance are usually emphasized. But for taking pictures of coins, flat field optimization is very useful since coins are relatively flat.

Conversely, most "enlarging" lenses, ie those designed to be mounted to a contraption to project the image from the FLAT film negative (small) onto FLAT photographic film (large), are optimized for flatness of field. They make very good lenses for taking coin photos.

As it turns out, making a stack of lens elements all do the right thing over their entire surface, especially the outer edges, is very difficult. Even if there is no distortion, getting all the wavelengths of light to converge in proper focus is very difficult to achieve over the entire lens surface. Most all lenses thus benefit by restricting the image to travel only through the central lens areas where the light path is easier to control. This is "stopping" down the lens, which is really just making the lens an effectively smaller diameter, and has the effect of optimizing the flow of light through the lens and making it so the different paths come together in better focus. Fewer paths for the light to hit the film/sensor means less possibility of lens aberrations and non-idealities compromising the focus/color/etc of the image.

Sidekick-CA, from your pictures it looks like your lens aperture was wide open. Thus the light was going through essentially the entire lens surface and there was a lot of opportunity for some of the light to travel unwanted/unfocused paths and cause problems at the sensor. Lots of light got to the sensor, but some of it was mis-aligned from the rest and this resulted in a blurry image, especially around the peripheries.

It is actually very common for taking lenses to have this behavior. Some are even optimized to be fuzzy at the edges on purpose! Many of the famous "portrait" lenses are like this. The Nikon 105/2.5, a lens famed for portrait use that has been used for many famous shots, is quite fuzzy on the edges wide open, but quite clear in the center. This is great for portraits, which need to emphasize the person's face in the center of the image and often are blurry around the edges.
Contact me for photographic equipment or visit my home page at:
http://macrocoins.com
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 Posted 05/16/2011  11:48 am  Show Profile   Bookmark this reply Add SsuperDdave to your friends list Get a Link to this Reply
I'm guessing this isn't your first attempt at photography, rmpsrpms?

Very nicely put; I hope this thread gets lots of reads.

So, a question for you. Using your highest-magnification examples from the previous page as a starting point, how might one (roughly) double that magnification (and better) onto a camera sensor at a quality which rises to the level of for-the-record research? I've been looking into this recently, and it seems that the best course is a Common Main Objective dissecting microscope with a camera adapter. Greenough designs observe from somewhat a side view, which would distort the results of images stitched together.

I think you're pretty much pushing the limit of photographic-only componentry (with stunning results - I suspect I'll be commissioning one of your units in the future). At the research level, though, yet more magnification is required. For example, from your image, the top ball of the 2 might be quadrupled on a given coin, and it would be necessary to show that quadrupling clearly and in sufficient detail to differentiate it from a second coin with similar quadrupling but from a different die.

This wasn't possible a few years ago. But, with the advent of high-megapixel sensors, z-stacking software and more sophisticated postprocessing, it becomes a realistic goal and I'm looking to see what the limit is. And no, it won't be cheap.
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 Posted 05/16/2011  4:25 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
SuperDave...Actually, I haven't been doing photography for very long. I bought my first DSLR in Oct '09 (a D5000) and since then have been researching and experimenting to get the best coin photos I can. I'm not an old film guy turned digital, just an enthusiastic engineer with a coin collecting hobby who wants to document his collection best he can for archiving and selling. From my username you might be able to guess that I am an RPM collector, and in fact my passion is Lincoln Wheat RPMs and Doubled Dies. Before I started down the path of "whole coin" photos, I was taking microscope-based photos of varieties for attribution. Recently I have integrated the DSLR to the microscope, and have been getting fairly good results.

As an example, I just last night found a new DDO in a BU roll of 1942-D Lincolns. At least I think it's new...I just posted pics last night on Coneca's Die Variety Forum and they're being reviewed. Here is the link:

http://board.conecaonline.org/showt...71#post11371

I'll post the main pic here for reference. This was taken with my D7000 mounted on a Bausch & Lomb MonoZoom7 with a ring light for illumination. Stand is similar to the one used on the Coin Macro Setups, but with adapter for the MonoZoom7. The microscope has a 1x objective and a 1.5x ocular adapter. I have a 2x objective and 3x ocular adapter available, so could get 4x the magnification vs what is shown here, but this seemed enough to document the doubling on the coin.

Note this setup isn't all that expensive. I think I paid around $300 on ebay for the microscope, though a ready-made setup may cost you much more. Basically, I'm patient and pick things up when they present themselves at a good price! Later I'll take a pic of the setup so all can see what I'm talking about. I may also put on the 2x objective and see if I can get a bit higher resolution...Ray

Coin-Photo-Setup
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 Posted 05/16/2011  5:38 pm  Show Profile   Bookmark this reply Add SDcoinguy to your friends list Get a Link to this Reply
do you think it is worth it in the long run? meaning, to have a setup like this to make better pictures of your coins when trying to sell them. would I make more money off of nicer pictures rather than no trying at all>?
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 Posted 05/16/2011  8:27 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
It's most definitely worth it. I can get much more for a coin with a good picture than without. Return on investment is pretty quick.
No pics = no sale
Bad pics = low sales price
Good pics = competitive bidding
Excellent pics = top dollar
Contact me for photographic equipment or visit my home page at:
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 Posted 05/22/2011  9:00 pm  Show Profile   Bookmark this reply Add rmpsrpms to your friends list Get a Link to this Reply
I got out my Tucsen 3MP C-Mount USB Microscope camera and tested it against the Nikon D7000. Since the Tucsen is only 3MP, I set it as the reference and then matched the magnification to the Nikon so the cropped image was same size as the Tucsen. I sold my last Macro Setup and am building another one now, so I ended up using my MonoZoom7 to make the comparison. Single images, no stacking, so the DOF is a little weak but not too bad. A few things I noticed comparing these images:
- White balance is very different between the two. Nikon image favors reds
- The Nikon image processing seems to compress dynamic range, resulting in lower apparent contrast than the Tucsen
- Tuscen image is significantly sharper, possibly due to lack of anti-aliasing filter present in the Nikon

I plan to do the same test when I get another Macro Setup put together, maybe later tonight.

Here are the two images:

Nikon D7000, cropped to 2048x1536
Coin-Photo-Setup

Tucsen 3.0MP Microscope camera, native 2048x1536
Coin-Photo-Setup
Contact me for photographic equipment or visit my home page at:
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